Neck Corset ![]() The creation of this began with heavily editing a free neck corset pattern (originally from this website here) that had since been discontinued and the creation of a mock up. After that was finished there was the laborious task of cutting out and prepping all the patter pieces (20 total!!) for this garment which was the most structurally complex component of the enter dress. Both the outer shell (with boning channels) and the inner lining had to then be sewn together to prep for beading. Plastic synthetic boning was added to the boning channels before it was dyed with fake blood and the process of bead work began. Dying and beading the neck piece alone took the better part of 14 hours (about 2 days of work) on its own. After the bead work was completed the inner lining was sewn down and basis tape was added to the bottom to close the garment. Then grommet tape was sewn to the back and white ribbon lacing was added to complete the garment. Belt The belt was extremely easy and quick compared to the rest of this outfit. It just took some fussing with my white velvet and embellishments to complete. The most laborious portion of making this part was deciding on how to sting the pearls attached the side of the peace.
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The Guillotine Dress“The Guillotine Dress” Mixed Media (Cotton muslin, acrylic paint, glass and plastic beads, fake blood, synthetic bone, embroidery thread, synthetic lace, synthetic twill, and silk), 2022, Z. Fondanarosa Categories |